by Beth Schreibman Gehring
“The house was bright that night, with candles lit in the windows, and bunches of holly and ivy fixed to the staircase and the doorposts. There were not so many pipers in the Highlands as there had been before Culloden, but one had been found, and a fiddler as well, and music floated up the stairwell, mixed with the heady scent of rum punch, plum cake, almond squirts, and Savoy biscuits…Something of the light of that Hogmanay feast lingered on his face, and I felt a small pang, seeing it.”
Diana Gabaldon – Voyager
In Scotland, December 26th marks the beginning of the week leading up to Hogmanay, a yearly celebration of farewell that takes place on December 31st. The history of Hogmanay is somewhat vague, with roots beginning in the 16th century. It’s an ancient celebration of the arrival of the New Year in a way that’s full of fire and ritual.
A contemporary New Year’s Eve celebration has never held much interest for me, so instead, for many years when we still lived on our farm in Burton, we would gather on December the 31st for a Hogmanay inspired celebration, fueled by really good single malt, folk music, celebratory bonfires, soup, roasted meats, and candlelight. I have always felt a deep affinity for anything and everything Scottish, and I married a man with a deeply Celtic soul, a family tartan, and a love of raucous gatherings.
Windesphere, our farm, was built in 1848 by a Scotsman named Samuel McBride, and our home was perched atop a hill lined with willow trees. It was a magical place to gather with my family for any holiday, but the quiet of New Year’s Eve after the hustle of the holidays was perfect.
Living on that small farm gave me a completely different connection to the natural world and it was easy for me to imagine what it must have been like in centuries past as the days got longer and colder and darker. I am completely sure that the attitude with which the New Year would have been greeted is one of absolute revelry.
Loving any excuse for continuing wassailing and caroling, the week after Christmas would find me preparing for the New Year, making clove-studded oranges and lady apples to simmer in apple cider, red wine, more spices, rosemary, hops, honey, rum, and ale for my traditional New Year’s wassail bowl. In some parts of Scotland, wassailing is a still a traditional part of the Hogmanay celebrations, and in centuries past the farmers and their families would go out to their orchards, singing at the top of their lungs while drenching the trees with the delicious wassail and hanging wassail-soaked toast in the branches. This ritual would supposedly get rid of any evil spirits lingering, while blessing the trees so that the following year would bring an abundant harvest.
Every December 31st, after a very thorough house cleaning and smudging with a blend of sage, lavender, and pine, out would come the fragrant bayberry and beeswax tapers that I’d been saving for months. They would be lit, infused with our intentions for an abundant year. We’d then lift our glasses to toast the new year and “sain” the house, an old Hogmanay blessing custom from the Scottish Highlands. Years before I even knew what I was doing, I’d take a crystal pitcher and dunk it into the artesian spring by our barn, and then I’d bring the fresh water in to use for the blessing, sprinkling it all over the hearth, rugs, and beds, finishing with hugs and kisses all around. Traditionally in Scotland and in my home, “Auld Lang Syne” is sung to bid farewell to the old year at the stroke of midnight as the wheel turns to the new year.
One of the most well-known traditions of Hogmanay is called ‘first footing’. When the first visitor to a household in the new year appears, he will traditionally bring gifts that are thought to bring great fortune and luck to the house in the coming new year. The person who has the honor of first footing the household (hopefully a dark haired man for the best kind of luck!) gets a healthy dram of whisky, cookies, and plenty of kisses for his trouble!
Living as far out as we did, there weren’t a lot of dark handsome strangers roaming about, so instead, when my son and nephew were still very small, we would pretend that we were Vikings and build a large bonfire up on the back hill. Then we’d wander out into the pastures to look and listen for the first owls at midnight, a new year’s pastime we still call “owling”.
We’d walk through the back woods as quietly as we could, and if we were lucky we’d see deer as well as the occasional fox or raccoon. Suddenly, the three of us would be taken by surprise by a great span of wings overhead, powerful yet unearthly quiet. We’d stand very still, huddled warmly together, and we’d wait for the hoots to begin! It always felt like the very best kind of good fortune with which to begin the New Year!
In those shared moments, I learned that magic is truly possible when allowed to bubble away happily in the cauldron of your heart. We three had so much fun stalking the wild things ever so quietly under the New Year’s moonlight while splashing cups of wassail all about, tying pieces of wassail soaked toast onto our apple trees and hanging homemade pinecone ornaments of bird seed and peanut butter for the winter birds to enjoy!
Life is very good this year and I am most grateful for it all, especially my husband’s good health and my beautiful new grandson.
As I write, my dog Malcolm is sleeping peacefully in the corner and my cats are curled up on the couch by the fire with not a care in the world, totally stoned on fresh catnip sent by a friend. I’m filled with the peace of another year gone swiftly by, making potato leek soup and watching the snow falling softly outside my kitchen window.
I wish all of you a warm and cheery Hogmanay, filled with love, peace, joy, and everything else that you could possibly desire and more. As they say in Scotland, “Lang may your lum reek.”
I feel so blessed to have all of you in my life. Thank you for reading my words and letting me know that they’ve touched you.
It means everything to me.
See you on the other side of 2022!
Beth’s Wassail recipe:
First things first! Make several pomanders using some of the smaller apples that you’ve picked as the base. You’ll do this by taking the apples and studding them with cloves in all manner of beautiful patterns. While you’re doing this, create patterns that you love and use them as a simple way to make a very good wish for a safe, abundant, and love filled New Year. Then do the same with several small seedless oranges and set them aside. Use as many cloves as you wish, because the fragrance will be absolutely intoxicating! When you’re ready to use them , slice the oranges in half. Remove the core from the apples and halve them as well.
Then in your favorite cauldron (I used to make this in a cast iron pot on top of my wood burning stove when I lived in the country) add one gallon of freshly pressed cider, two cups of honey, one tablespoon of fresh powdered cinnamon, about five large cinnamon sticks, one teaspoon of good vanilla extract and half a teaspoon of fresh nutmeg, five star anise pods, three tablespoons of dried or fresh rose petals for love (from your garden if you have them), one tablespoon of fresh rosemary for remembrance, about one cup of dried hops flowers for relaxation and fertility, and the pomanders.
Bring this all to a lovely rolling boil and then turn down the heat so it’s just simmering. Add one bottle of very good red wine, a couple of bottles of dry hard cider and about two and a half cups of dark spiced rum, and then stir in one stick of salted organic butter. You can add more honey if you’d like a bit more sweetness, or even brown sugar. Let it simmer for about 15 minutes then turn down the heat. Keep this hot but not boiling and serve it happily and carefully, as this is one potent brew!
Beth Schreibman Gehring is a lover of all things green, delicious, growing, beautiful, magical, and fragrant. She’s also a lifestyle blogger, storyteller, and occasional wedding and party planner who uses an ever-changing seasonal palette of love, life, and food to help her readers and clients fall madly in love with their lives! Beth lives and works with Jim, her husband of 40 years, and is owned by 17 full sets of vintage dishes, hundreds of books, two cats, one dog, a horse, a swarm of wild honeybees, a garden full of herbs, fruit, vegetables, and old rambling roses, too many bottles of vintage perfume and very soon, a flock of heirloom chickens! In 2014 she took a stab at writing a book called Stirring the Senses: How to Fall Madly in Love with Your Life and Make Everyday a Day for Candles & Wine. Available on Amazon! Join her in her gardens at https://bethschreibmangehring.substack.com/, or contact her at beth.gehring@stirringthesenses.com
Visitors to the West Highlands admire so much our woods and mountains, especially when the heather spreads its bright purple mantle of flowers, but how many ever stop to think of the numerous delicious wines which can be made from our shrubs and trees, their flowers, their berries and leaves.
A shrub, usually thought of as a weed, which grows in the West Highlands by roadsides, hillside and lochside, and never seems to be out of flower, is the Gorse, Furze or Whin. It is so prickly that no animal will eat it, but its golden yellow flowers make a rich, rather heavy-bodied wine which is also very intoxicating. It must be given at least a year to mature and is worth waiting for. Its flavour is most unusual, a hint of almond with a touch of scent of the flowers.
It was like stepping back in time one century. Birch wine was a favourite wine of Queen Victoria and Prince Albert and throughout the years of her long reign large quantities had to be made at Balmoral every year. The time for tapping the Birch trees is when the leaf buds are swollen ready to open, usually early March. Having decided on the trees, you then get pieces of young Elder wood about four inches long, and scrape out the soft white pithy core leaving a hollow tube. Next take a brace with a bit, and bore a hole in the trunk of the Birch tree 18 inches from the ground, to allow the hollow posset of Elder wood to fit in firmly. When boring the Birch tree, as soon as the clear sap shows, stop, fit the posset and fix a clean, dry, sterilized bottle under the posset. The sap runs freely into the bottle, and whenever the bottle is full it must be securely corked. As many trees as possible should be tapped each day to give at least one gallon of sap, which is the best quantity to make at a time. The sap is clear and sparkling. If any hint of colour shows in the sap drawn off, discard it. One thing to remember, if the leaf buds have opened do not tap the tree; the sap will be slow to run as well as unsuitable for wine. It is certainly fascinating and challenging, waiting for just the right moment. When the possets are removed from the Birch trees, carefully fill up the holes with pieces of wood or resin and seal over with any form of wax to exclude all airborne diseases.
The wine is made by boiling one gallon of sap with three and a half pounds of best sugar and the rind and juice of two lemons for about one hour. Strain into a jug or basin large enough to hold this quantity. When tepid add yeast, leave covered for four days, when the ferment will have caused a heavy scum to rise which must be carefully removed. Strain into a storage jar fitted with fermentation trap. In a month to six weeks the wine will have cleared. Decant into another storage jar and leave for one year. It is the home-made wine most nearly like Vodka and was a favourite in Scandinavian countries and Russia.
I have not given quantity of yeast as there are different yeasts available specially for wine makers. In all the very old recipes which stated “spread one ounce of yeast on a slice of toast and add to the liquor,” I found this always far too much and used only a small teaspoonful to a gallon.
vanilla. A glass of it sipped at bedtime was believed to induce natural health-giving sleep.
It’s St. Valentines Day, and the whole world smells as if it’s been dipped in a gigantic vat of roses, violet-flavored marshmallows, and chocolate-covered strawberries. It’s been absolutely freezing here in Northeast Ohio, so like most of my herb loving friends, I’m tucked away inside with stacks of rose, seed, tree, and other various and sundry plant catalogs.
I have spent many a Valentine’s Day in this way, but as I started writing this, I began thinking about the year that my husband asked me to meet him in France at the tail end of a business trip he’d been on in Spain. It was my very first trip to Paris, and I was completely enchanted by the city and the people I met. Valentine’s Day that year was perfect. We started with tea at Ladurée, where I enjoyed an absolutely delicious pot of jasmine tea and a delectable pastry filled with rosewater and cardamom crème topped with rose petals and fresh raspberries. We ended the day with a fabulous meal of raw oysters and confit of duck on a bed of lentils, with a sauce of orange, lavender, ginger, and honey and, of course, plenty of Champagne, because, after all, we were in Paris!
In between tea and dinner, Jim and I walked hand in hand through the shops and the markets. The shops in Paris are always wonderful, but February the 14th finds them filled with all of the beautiful symbols of romantic love that the French are known for: beautifully hand-dipped and painted chocolates, the softest and most luscious caramels, fabulous perfume, and gorgeous lingerie. But in truth, it’s the flower shops and market stalls that I remember the most, filled with gorgeous bouquets of all kinds and friendly men and women eager and willing to have patient conversations with me (not easy with my limited French!) about their beautiful flowers, produce, breads, cheeses, preserves, and teas. As I wandered happily sniffing and shooting picture after picture, I began to think of my father. It took me a moment, but suddenly I realized why.
My father came home from France and realized what his painting had been lacking the entire time: context, or as the French would say, a raison d’être. Dad set out to build his own garden paradise, and he did so with an absolute passion. I wasn’t at all surprised. Even at a very young age, I could see that my dad was wildly romantic, and after experiencing the gardens that Monet had painted in, he couldn’t help but follow in his footsteps.
His roses never had that much trouble with black spot, beetles, or mildew…rarely were there bothersome pests that took over and destroyed everything. My father, ever the biologist, always planted with the pollinators in mind, stressing native plants like serviceberry, aronia, and American cranberry alongside his beautiful flowers. He loved milkweeds and watching the Monarch butterflies. He had a carefully tended patch of sweet woodruff that was always covered with honeybees, which he used to make May wine every spring, and he loved plants like pokeberry and comfrey, letting them grow wherever they wanted to, because he knew that they were biodynamic accumulators—plants that gather nutrients from the soil to store them in a more bioavailable form. At the end of the gardening year, he’d chop these into his beds as mulch.
My father’s gardens had the fattest honeybees and bumblebees, the biggest and juiciest earthworms, and wonderful snakes that would slither through on occasion, much to the delight of his grandsons. He was generous with his knowledge, and he taught me everything I know about building soil and keeping plants healthy without resorting to the use of chemicals. He loved to share his gardens with everyone, especially his children and grandchildren. As I got older, summer nights would find us wandering together with martinis and hoses…watering, mulching, and laughing, and later, would find us in his living room talking about the garden and listening to his extensive collection of classical music. My father lived such an artistic life in so many ways, and he loved to encourage us to do so as well. He was the first person to encourage me to follow my instincts for herbalism, and he is single-handedly responsible for my love affair with old roses and all of the things that I’ve learned over the years to make from their hips and petals.
Even though my father passed away before I got to share with him the joys of my own trip to Paris, I know that he’d understand when I say that our Valentine’s Day trip brought my life as a gardener into focus. Although I did not go to Giverny as he did, my wandering through France, talking with the florists and farmers, connected me to what he learned so long ago on his own pilgrimage there.
Rose Petal and Chocolate Chai (no added tea)
Beth Schreibman-Gehring is the Chairman of Education for the Western Reserve Herb Society, a unit of The Herb Society of America. She is also a member of Les Dames de Escoffier International (Cleveland), The Herb Society of the United Kingdom, The International Herb Association, The Herb Society of America, and Herbalists without Borders. Her book, Stirring the Senses! Creating Magical Environments & Feasts for All Seasons, can be found on Amazon.
If you’ve spent time in the herb world, you’ve likely come across the name 
“A self-taught botanist, and without any higher education, Steven knew as much or usually more about botany and the history of the literature on herbal medicine than many academics with numerous advanced degrees. His knowledge and memory of the botanical literature was almost photographic, and he had a beautifully eloquent way to explain and communicate his herbal wisdom” recounts Blumenthal (2022).
Foster co-authored the Peterson Field Guide to Medicinal Plants with the late Dr. James Duke (The Green Pharmacy), providing the photography for over 500 herbs within the text. Erin Holden, herbalist, horticulturist, and co-blogmaster of The Herb Society of America’s blog, stated that she “was sorry to hear about Steven Foster’s death. The Peterson Guide he did with Jim Duke was the first plant ID book that really helped me get into plants. As a newbie to plant ID, his photos helped me easily figure out what I was looking at in the woods, and from there, I was able to build a solid foundation before moving on to more detailed field guides. It was a gateway book, and I’m not sure I’d have stayed on the ‘plant path’ if I hadn’t found it.” Thankfully, Erin did stay on the “plant path.” She earned a Master’s in Herbal Medicine and, later, joined the staff of the National Herb Garden at the U.S. National Arboretum. 
Tina Marie Wilcox of the Ozark Folk Center shares that, “Steven Foster began mentoring me for my position as head gardener and herbalist for the Ozark Folk Center’s Heritage Herb Garden in Mountain View, Arkansas, in 1986. His book, Herbal Bounty, the Gentle Art of Herb Culture, had been in circulation for two years. The plant kingdom planted me firmly at the feet of the master. Steven’s intellect would have been too intimidating had he not been such a patient and kindred spirit. He explained Latin plant classifications, plant identification, and introduced me to the chemistry of plants.” 
Holly Shimizu, Director of the US Botanic Garden (Ret.) in Washington, DC, and first curator of the National Herb Garden, recalls, “I got to know Steven in the last several years while serving on the Board of the American Botanical Council in Austin, Texas. I was amazed at Steven’s intelligence, loved his witty sense of humor, and we both shared a passion for plants. I turned to Steven for his opinions, thoughts, and support because I recognized his intuitive wisdom. One can always tell when an herb photograph has been taken by Steven because of its excellence, detail, and extraordinary beauty. His books and articles are beautifully written, accurately researched, and trusted reference material. We once had a conversation about herbals, it turned into a long conversation, because his knowledge and collection of old herb references is absolutely amazing.”
Steven Foster was a serious academic and a savvy businessman; he was down-to-earth and had a heart of gold, and he shared his knowledge willingly. He was a man who lived through his senses and knew them intimately; his appreciation and knowledge of herbs and spices led him around the world. His keen eye and awareness of detail in his photography makes him unrivaled in capturing botanical images. He was truly an epicurean and shared his delight in smell and taste and the pleasures of the table. [He had a] big heart—it overflowed with his love and joy for his family and friends—you could see it in his soulful eyes.
The past few days, I have read countless tributes and memories about Steven—and all of them reveal what a sensitive, creative, and caring man he was. He was a family man—proud of every member of his tribe–and adored Donna and loved his kids and grandkids. Our hearts are broken and the herbal world has been rocked with the loss of Steven. We are thankful to have shared the time that we had with him…. He has left us too soon, though he has given us his herbal legacy in his wonderful books and photographs.”
I love trees. They are a life-long study for me. When I was a child growing up in red-brick rowhouses in Baltimore, ours was the only postage-stamp backyard on the block with a tree. It was a maple, and the samaras fascinated me. We called them whirligigs or helicopters and threw them up in the air and watched them spiral downwards. Many a kid climbed that tree and somehow, I managed to drag the lid of an old wooden toy box up there and nail it down so I had a tree fort—only two small children were able to sit upon it. 
Our woods are mostly Northeastern deciduous trees that slope down to the Cattail River. Down along the river’s edge there are a lot of shaggy-barked river birch, also some really big sycamores. There are quite a few types of large old oaks, as well as hickory and maple trees, with locust and cherry amongst them and sassafras and Osage orange along the wood’s edge. The understory consists of a healthy population of spicebush, with wild rose, honeysuckle, brambles, occasional viburnum, dogwood, and holly. 
Although I grew up as a city kid, I’ve been a country gal for a long while. In order to build this house, the woods needed to be cleared to make a place for it. It is a passive solar house, however the woodstove is the main source of heat. In the winter, it is a 24/7 job; it seems that wood chores are never-ending.
Since the ancient tractor is not running, we’ve got an old beat-up jeep that has become the farm wagon. With the seats folded down, it can hold a surprising amount of wood. Three rows from floor to ceiling is over half a cord of wood. That’s how we measure wood here, in Maryland, and states north of here. Down South, they deal with firewood in ricks. 
Regardless of measurement, once the logs are cut into stove-size lengths and then split, they have to be picked up and put in the jeep, tractor wagon, wheelbarrow, whatever, to transport them to where they will be stacked. I can no longer push a full wheelbarrow—I can only fill it about halfway. (It is good to know one’s limitations, and I have become thoughtful about this. I like it when the strong, young adults are available to help with this task.)
There is an art to stacking wood. In a freestanding pile, the ends have to be built up in order to hold the wood. They have to be sturdy and not wobbly, and the wood has to be stacked neatly, so the whole pile won’t fall over with a 30-mile an hour wind gust (yes, it has happened). The back porch stacks are ones that can be burned right away, and generally, there is a box or bucket of kindling nearby. All stacks are covered along the top with tarps to keep the rain and snow from soaking them.
Oftentimes, if I am busy cooking or writing, I don’t think of loading the stove, and it comes close to going out. Then, I have to use smaller pieces of wood to get it going again. So, having an assortment of sizes matters. 
plates or bowls are placed on top to warm. Guests tend to gravitate toward the stove and stand nearby to soak in the warmth, turning from front to back to warm both sides. Cats and dogs lay so close sometimes, you’d think it would boil their brains! There is nothing like the warmth or smell of a wood stove. 
Susan Belsinger lives an herbal life, whether she is gardening, foraging, herborizing, photographing, teaching, researching, writing, or creating herbal recipes for the kitchen or apothecary—she is passionate about all things herbal. Referred to as a “flavor artist,” Susan delights in kitchen alchemy—the blending of harmonious foods, herbs, and spices—to create real, delicious food, as well as libations, that nourish our bodies and spirits and titillate our senses. There is nothing she likes better than an herbal adventure, whether it’s a wild weed walk, herb conference, visiting gardens or cultivating her own, or the sensory experience of herbs through touch, smell, taste, and sight.
I was sitting here at my desk trying to think of what I could say about the Winter Solstice that I have never said before. Then I started to think about the last two years. As the COVID virus forces us, once again, to reconsider the way that we celebrate with each other, I am reminded that taking the time needed to reflect with joy and gratitude that I am still alive, as are my loved ones, is what must take center stage.
I always laugh and say when I am asked, that celebrating the Winter Solstice has always been how two Jewish women who absolutely love Christmas find their own place within those traditions. Normally, my sister and I have a huge party on Solstice eve in her beautiful log cabin that was once a maple sugar house. We decorate like mad, fill up the house with herb wreaths, holly boughs, evergreens, and beautifully scented Christmas potpourri—a special gift from my dear friend, Kathleen. 
Traditionally, the Solstice has always been one of the quietest nights of the year, and indeed, the longest night of the year. The months and weeks leading up to the Solstice were full of great intention and action for the harvest must be brought in; the onions and garlic braided; fruits, vegetables, and herbs dried; and the animals slaughtered for meat, along with the beef tallow needed for cooking, soapmaking, candles, and salves. The milk from goats, sheep, and cows needed to be turned into cheese that would last through the winter. The honey and beeswax from the hives needed to be harvested and turned into candles. The fields had to be put to bed in preparation for the following spring, and only then could thoughts turn towards celebration. 
Those of us who are herbalists, cooks, and gardeners know very well what I am saying. After all, in 2020 could you find a new Ball jar for canning in any store? I couldn’t! There was no garden soil anywhere, and mulch was sold out. Seeds were sold out by the end of January. Yeast for baking was nowhere to be found. Elderberry, echinacea, and goldenseal products were sold off of shelves as quickly as they appeared, with many stores putting limits on what could be purchased.
Coincidentally, with this blossoming awareness, the talks that I gave as Chairman of Education for the 
Suddenly, people like us (and if you’re reading this, that’s you!) are madly in style. Many of us have a special calling in this new world to teach all that we know about the herbs and plants we love. We have a unique opportunity to build a bigger table, to share our knowledge generously in these challenging circumstances. Our horticultural skills can help feed the hungry, support the healing we all need and crave, and simply make this world a lovelier, greener place.
I have always been fascinated by people’s life stories, particularly those in the herb world. How did they end up where they did? What circumstances led them down their chosen path? Some people take decades—and numerous career maneuverings—before they settle into their career of choice; others know their life’s calling from an early age. For Bill Varney, owner of URBANherbal in Fredricksburg, TX, his life’s work encompassed all those things and more. I recently asked Bill to give me a glimpse into his world as an herbal enthusiast and business owner and what it takes to succeed. Here’s what he said:
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the soil to plant sage, southernwood, wormwood, fennel, poppy, clary, mint, pennyroyal, celery, betony, agrimony, tansy, catmint, and radish. Strabo introduces his herbs the way a mother might speak of her children, praising their qualities without neglecting their occasional blemish. In my life, Adelma Simmons, who founded Caprilands Herb Farm in Coventry, Connecticut, and Madalene Hill, who founded Hilltop Herb Farm and later built the gardens at Round Top, Texas. In Madalene’s book, Southern Herb Growing, I was really proud that she had a few pictures in the front of her book of my first herb gardens. After her book came out, she came to my place and did a class and book signing. I have always admired Emelie Tolley and all of her books, and she and I have been friends for many years. In my book, Herbs: Growing and Using the Plants of Romance
we meet and we can share with. As James Beard, the famous chef, said, “We learn from each other and end up teaching ourselves.” Also, I have always been inspired by Lady Bird Johnson. She came into my store many times over the years and would have me make things for her to give as gifts. Her love of nature and wildflowers has done so much for our island home, Earth.
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When we love something, it’s impossible not to share it with others, particularly those we care about most. Herbs and children are such a natural combination, it’s easy to draw a child in by offering them a smell or a taste or by telling them a fascinating story about the plant. Then, before you know it, you are making all manner of herbal goodies together.
they all were excited to participate. They loved the way everything smelled, and each little girl went home with a little bottle of lotion and a small bag of potpourri. Now, she is almost a teenager and her interests have waned somewhat, but she still wants to make potpourri each time she comes.
Then along came my granddaughter, Gemma, who not only lives locally but whom I babysit weekly. That provides lots and lots of time for herbal teaching. Since she was eighteen months old, she’s been out in the garden tasting and rubbing leaves and smelling the wonderful scents. On the way to the playground there is a field of weeds, and we always take time to tell their stories. One day my daughter called to tell me that Gemma was “eating the landscape,” so we instituted the rule never to eat a plant unless I gave it to her.
Andrea Jackson is a member of the Western Pennsylvania Unit of the Herb Society of America. When she lived in Baltimore, she was a founding member of Partners in Thyme. She also belongs to the American Herbalists Guild, and the American Botanical Council. Herbs aside, Andrea is a registered nurse and a Master Gardener and lectures extensively to groups ranging from professional organizations to garden clubs. Her particular interests lie in the medicinal uses of herbs, herbal lore, and weeds, which she considers to be the first herbs. When she is not spreading the herbal gospel, she is tucked away in her herb room formulating various concoctions.
History of World War II, “The war could not have been won without rubber, but the same might be said about wheat, cotton, lumber, quinine, and penicillin, all with botanical origins.” In her book, Sumner documents many of the plants that were critical to World War II efforts on all sides of the battlefield. Indeed, her research is exhaustive in that she covers not only the military uses of plants but also civilian uses as well by the major countries involved in the war.
the shortage of men to do the farming. In Germany, the Lebensraum idea was the impetus behind Hitler’s attempt to secure more land for German farmers to grow German native plants for food and other purposes.
The Herb Society of America Blog 